Best tunes of 1993: #14 Björk “Human behaviour” – My (life in) music lists
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Has there ever been a performance by an artist, be it of just the one song or their whole set, that completely changed your perception of them? For me, there have been several of these, some of them introductions and some reintroductions. Björk’s performance of “Human behaviour” was one such personal and almost spiritual experience and it wasn’t even a set that I witnessed live, that’s how transformative it was. I can only imagine how it must been for those who witnessed it in the flesh.
I distinctly remember hearing Björk on alternative radio and a big deal being made of her solo debut album, cheekily titled “Debut”. I knew from hearsay that she had been in a band called The Sugarcubes but I wouldn’t properly discover and explore that band’s catalogue and understand what it all meant until many years later. Many of my friends and passing acquaintances throughout the 90s were huge Björk fans, bordering on obsessive and on my side, I also liked pretty much everything I heard, which was quite a lot given how popular she was becoming in the alternative rock realm. I also remember being super impressed by her acting turn in the Lars Von Trier feel-bad movie, 2000’s “Dancer in the dark”. In fact, the music for that film was also so great that the soundtrack by Björk (“Selmasongs”) would be the first album of hers that I would own on CD. After that, though, her art explorations tended to diverge with my own musical tastes and we grew apart.
At some point in the late 2000s, I picked up the Julien Temple directed documentary on “Glastonbury” at the Ottawa Public Library and brought it home with me to watch. I’d always heard that the British music festival was the holy grail of music festivals and based on the lineups that have graced its stages over the years, I’d had held a reverence for it, always dreaming of attending. I was held rapt for the film’s two plus hours and found myself watching a ton of the bonus features, including uncut sets of the some of the iconic performances there over the years. One of these was Björk’s 1994 appearance there, specifically her performance of “Human behaviour”. It was the embodiment of childlike exuberance and animalistic intensity, exuding both sensuality and innocence. She was pixie-like in a slinky pink slip of a dress, racing and marching and flitting about the stage when she wasn’t blowing the speakers wide open with that unique and powerful voice of hers. It further fuelled my desire to go to Glastonbury (which I have yet to do) and forced on me a Björk rethink. I started collecting her early albums on CD and even managed to see her perform live in 2013.
“If you ever get close to a human
And human behaviour
Be ready, be ready to get confused
There’s definitely, definitely, definitely no logic”
Though it is not the only great tune on the aforementioned debut, “Human behaviour” now has its hold on me as my bar none favourite from album. It was track one and released as the first single and incidentally, was written a good five years before its release, back when Björk was still leading The Sugarcubes. It is synth, sample, and percussion heavy, rhythm as a melody, industrial dance, playing second fiddle to Björk, the voice, the magician and artist and shaman. A song that could grace and cross dancefloors of many ilks, high culture, pop culture, low culture, and everything in between.
For the rest of the Best tunes of 1993 list, click here.