Joni Mitchell to Receive Les Paul Innovation Award at 35th Annual NAMM TEC Awards

Folk artist and pioneer, and 45-year member of the AFM Joni Mitchell will receive the prestigious Les Paul Innovation Award at the 35th Annual NAMM Technical Excellence & Creativity Awards (NAMM TEC Awards), being held Saturday, January 18, 2020 in Anaheim, California. The award is given on behalf of the Les Paul Foundation to honor individuals that have set the highest standards of excellence in creative application of artistry in the spirit of the famed audio pioneer, inventor and musician, Les Paul.

“We are excited that Joni will be
the recipient of the prestigious Les Paul Innovation Award,” says Michael
Braunstein, executive director of The Les Paul Foundation. “Like Les, she has
been a trailblazer and a true renaissance woman – a songwriter, musician, producer
and influencer who made her mark with very influential songs in the 60s. She
has pushed the boundaries of what it means to be a female singer-songwriter
over the course of her four-decade career, and like Les Paul, she’s never been
scared to take creative risks.”

“Thank you for this honor,” said
Mitchell, a member of Local 47 (Los Angeles, CA). “I’m grateful for being
appreciated.”

Mitchell is an accomplished
musician, songwriter, poet, and painter. An only child, her artistic talents
blossomed early as she began drawing as a young child. Always a lover of music,
it wasn’t until high school in Saskatoon, Saskatchewan that Mitchell began
performing. She bought a ukulele and soon began playing in the local club, The
Louis Riel, in 1962.

Heading to art school in Calgary
after graduation, Mitchell auditioned at a coffeehouse called The Depression
and immediately landed a regular gig there. Weighing two viable career options—art
or music—she decided to focus on the latter. In 1964, Mitchell moved to Toronto
and immersed herself in the fledgling Yorkville folk scene—performing in
coffeehouses along with other fellow unknowns Neil Young and Gordon Lightfoot.
It was during this time that Mitchell’s songwriting skills began to emerge.

Moving stateside in 1965, Mitchell worked
the coffeehouse circuit for the next three years—playing as many as twenty sets
a week. David Crosby caught her performance in a Florida club in 1967, was
‘stunned’ by her talent, and invited her to Los Angeles. Soon thereafter, Mitchell
signed with Reprise Records. Her first record, Song to a Seagull, was
released in 1968.

Mitchell went on to serve as
producer for most of her subsequent albums. She produced and recorded Blue (1971),
a unique collection of songs considered by many critics to be one of the best
LPs of pop music ever created.

Mitchell’s most commercially
successful LP, Court and Spark (1974) was created with the jazz-fusion
group The LA Express. The Hissing of Summer Lawns (1975) steered
her away from traditional pop forms into formats of complex lyrics and
melodies, accompanied by a variety of jazz musicians. Her album Hejira (1976)
shed much of the instrumentation creating a minimalist recording with an
expansive ambience achieved with the help of her sound engineer, Henry Lewy, by
overdubbing Joni’s electric rhythm guitar. In 1978 one of jazz’s great
geniuses, Charles Mingus approached Mitchell to propose a collaboration. The
result was Mingus (1979), released shortly after Mingus’s untimely
death from ALS.

Dog Eat
Dog (1985) featured Mitchell’s
exploration of sociopolitical themes set to complex synthesizer arrangements.
In the 1990s her acoustic guitar playing came back to the forefront and
produced the Grammy winning Turbulent Indigo (1994). She has also
recorded an orchestral retrospective, Travelogue (2002), two live
recordings, Miles of Aisles (1974) and Shadows and Light (1980),
and an orchestrated collection of popular music standards, Both Sides Now (2000).

In 2007, the Alberta Ballet Company
staged the ballet “The Fiddle and the Drum,” choreographed to a collection of Mitchell’s
recordings. Her last recording of new material was 2007’s Shine.

Three Junos, nine GRAMMYS® (plus
their Lifetime Achievement Award), the Governor General’s Award for Lifetime
Artistic Achievement, the Canadian Music Hall of Fame and Songwriter’s Hall of
Fame, the Rock and Roll Hall of Fame, and a Polar Music Prize are but a few of
Joni’s awards and accolades. With this award, Mitchell will join the likes of
Peter Frampton, Jackson Browne, Joe Perry (Aerosmith), Don Was, Slash, Todd
Rundgren, Pete Townshend, Steve
Vai and others, as a Les Paul Innovation Award honoree.

The
NAMM TEC Awards, held during the global gathering of music, sound and event
technology at The NAMM Show, are bestowed annually in honor of the many
individuals, companies and technical innovations used in sound recordings,
films, broadcast television and video games. Nominees were announced earlier
this year. For more information, visit www.tecawards.org.

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